Adobe Premiere Rush (2025) review

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July 19, 2025

On July 19, 2025

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Premiere Pro is Adobe’s high end video editor, so it’s not for everyone. Heck, even regular old Premiere Elements can feel too powerful to some.

Isn’t there something incredibly simple that can work on both computers and mobile devices? Enter Adobe Premiere Rush.

As the name implies, it’s all about cutting content quickly. It’s ranked among our best video editing apps, with its emphasis on ease-of-use and simplicity for creating social media or marketing content. I took a look at the latest version to see how it fares.

Adobe Premiere Rush: Pricing & plans

An app that’s free to use, is multi-platform, and easy to download and install. Can’t get much better than that

Getting your hands on a simple video editor is one thing, but everyone will ask, “how much will this cost me?”

And there’s good news here too: Adobe Premiere Rush is actually free. You do need to set up an Adobe ID in order to use it (if you don’t already have one), but this is free too. It also comes bundled free with other Adobe apps if you’re already a subscriber.

You can download Rush for your computer via the Creative Cloud app, and for your mobile device via its app store or by clicking here.

Clean, simple and effective.

Adobe Premiere Rush: Interface

(Image credit: Adobe // Future)

Premiere Rush’s interface remains very similar on various devices, and although icons may be located in different areas, it will take you seconds to transfer your skills from one machine to another

We were pleasantly surprised to see that the interface is remarkably similar whether you’re working on a computer, phone or tablet. It’s not identical, mind, as the aim is to play to each platform’s strengths, but at least the tools are grouped together.

For instance, those to control and manipulate Graphics. Effects, Colour correction, Speed adjustments, Audio and Cropping can be found top right on a computer, but at the bottom of the screen on a phone. Icons to control expanding the audio layers, revealing control tracks, cutting, deleting and duplicating a selected clip, are all on a sidebar lower left of the interface on a computer. Those tools will also be at the bottom of a phone’s screen, separated from the others by a divider line.

This may feel like the interface is different, but such changes are actually minor, and as the icons are identical, it will take you seconds to recognise what you’re after and learn where they are positioned when moving from one device to another.

Perhaps the biggest difference between devices is how the playhead behaves. On a computer, it acts as you would expect a video editor’s playhead to: click and drag it to another location to skim through your footage, or click on another location on your timeline for it to jump to that point. On a mobile device, that playhead remains fixed at the centre: the project itself moves left or right as you place your finger on the screen and drag left or right.

This plays to each device’s strengths, as a limited screen real estate demands compromises. One thing to bear in mind: you can only edit in the portrait orientation for a phone.

Adobe Premiere Rush: Editing

Adobe Premiere Rush during our review

(Image credit: Adobe // Future)

Rush’s way of editing is similar to CapCut or Final Cut Pro, and if you’re used to that, you’ll feel right at home, otherwise it will take you a few minutes to get used to it. But this is undeniably a powerful way to edit precisely and with speed

The aim of Premiere Rush is to help you create a project very quickly and with that in mind, it uses what Final Cut Pro and CapCut users would recognise as a ‘magnetic timeline’, which means when you alter the length of a clip in your project, you don’t end up with a gap between it and any clip that you’d added further along the timeline. Instead, they all move to fill that gap. Extend a clip and they’re all pushed forward. You can easily swap the order of the clips and no gap is ever left in your timeline. This actually helps you build an edit incredibly quickly.

By default, it looks like you can only work with a single layer of audio and video, which also helps give a user the impression that this is a simple app. Although you can certainly work with it like that, Premiere Rush actually supports up to 4 layers of video and 3 of audio, allowing you to place clips over others, thereby creating much more complex projects.

Incidentally, this magnetic timeline we described above, only works on the first layer. When you add a clip above another, that upper clip will actually attach itself to a lower one. Delete the lower clip and that upper clip will be gone too. Move that lower clip to another location, and this will also move the upper clip(s) connected to it. This is something worth bearing in mind as it could easily confuse a novice editor or one not used to this way of working.

Adobe Premiere Rush: Effects

Adobe Premiere Rush during our review

(Image credit: Adobe // Future)

An acceptable range of effects, with some useful features, although some, like ‘Speed’ feel very primitive by today’s standards

Premiere Rush comes with a handful of effects, such as animated overlays, be they text layers, lower thirds, or animated transitions, and they are all applied on a second layer (meaning if you didn’t already know you could work with multiple layers in Rush, that would’ve been a big clue!) Each graphic is fully customisable with changeable parameters appearing when you select it (to the right on a computer, at the bottom on a phone).

Aside from those animated transitions, you’ll also find a handful of ‘standard’ ones in the Effects section, along with Pan and Zoom, and Reframe tools. We were somewhat disappointed the Pan and Zoom tool only worked on photos.

We quite liked that you can make colour adjustments, either based on filters or through manual alterations, and save those changes as new presets you can use and apply on other clips.

Sadly, we found the speed alteration tool to be very basic. We couldn’t detect any frame blending. Instead, the slower the clip became the more the video stuttered, as frames were simply copied to accommodate for the increased length.

Adobe Premiere Rush during our review

(Image credit: Adobe // Future)

You can upload your project to various social media sites, as well as saving a copy to your hard drive, but the loss of syncing between devices is puzzling and sorely missed

When it comes to sharing, you can export your project to your local drive, or upload it to YouTube, Facebook, Instagram or Behance. You even have access to some advanced format settings if you need them, which is great for pro users.

There is however a feature that is no longer present and feels like a great loss: you used to be able to sync your project between various devices, as long as they were all logged in to the same Adobe ID. This allowed you to work on your phone, and continue editing on your computer, and vice versa, giving you great flexibility. Sadly, Adobe nuked that functionality in 2024.

We could understand that this would’ve been seen as an advanced feature for a free app, but why not preserve it for those who pay for one of Adobe’s various subscription packages? Killing it for all was very disappointing.